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One of 2019’s most anticipated films, “The Irishman” seemed too good to be true when the project was originally announced. Not only was it to be directed by Martin Scorsese, one of the greatest filmmakers of all time, but the director would bring together screen legends Robert De Niro, Al Pacino and Joe Pesci in a film that sounded dreamlike for fans of mob films and the crime genre.
“Scary Stories to Tell in the Dark,” released in August of this year, mostly went unnoticed and unspoken about, and for good reason. I expected much, much more from a Guillermo del Toro production. While never taking itself too seriously and trying to develop a fun, care-free story about kids versus monsters, this is a film that instantaneously starts off horribly and only goes downward.
After Australian filmmaker Jennifer Kent’s debut critically acclaimed feature film “The Babadook” in 2014 that challenged the notions of the horror genre, she is back with a viciously disturbing tale of brutality. It captures the mostly untold horrors committed throughout history in “The Nightingale,” released limitedly in the U.S. in August.
Timothée Chalamet continues to be on the rise ever since his knockout performance in 2017’s “Call Me By Your Name,” scoring another role in Netflix’s Henry V biopic “The King.” While Chalamet proved he was a gifted talent two years ago, he seems to have left all of his skills in the past, for his portrayal of the King of England is absolutely static.
You have to credit writer/director Julius Onah for attempting to create a film that not only precipitates individual thought, but a larger societal conversation as well. Too many films these days are afraid to explore anything unsettling or provoking and simply cave into fear of challenging audiences' perceptions and emotions.
There are films that come around every now and then that seem to hit all the right notes and impact you in multiple ways. Very few times have I seen a film that can have the audience laughing out loud in one moment, and feeling emotional or sad just 20 seconds later.
Four years after his debut feature film “The Witch,” writer/director Robert Eggers has returned with another unique horror film set in pre-20th century New England.
It’s been six years since we said goodbye to Jesse Pinkman, the guilt-ridden, meth-dealing anti-hero of the hit series “Breaking Bad.” Last we saw of Jesse, he and his partner-in-crime Walter White seemed to make amends before taking down the show’s final villains. Pinkman was last seen smiling and laughing as he drove away, leaving his life of crime behind him as he headed towards a new life.
One of the most anticipated films of 2019 and without a doubt the most controversial, the infamous Clown Prince of Crime has gotten yet another film, this time in “Joker,” a stand-alone film dedicated solely to the character examination of this iconic villain.
Stephen King’s masterful horror epic “IT” captured both the trauma and beauty of childhood in such a captivating fashion in 2017. The adaptation not only became the highest-grossing horror film of all time but was a mesmerizing and unforgettable game changer.
Fox News is one of the most successful media networks in the world. Heavily criticized for featuring controversial commentators such as Tucker Carlson, Sean Hannity and Laura Ingraham, Fox News has been and remains the most watched news channel in America.
We live in an entertainment era today where virtually every film produced is either a remake, a continuation of an ancient series or recycled story bits put together to make a film lacking any freshness. Leave it to the biggest film-lover in the world and one of the greatest filmmakers of all time to craft a film that not only eloquently reflects on the changing world surrounding pop culture and the entertainment industry, but to create one of the most original, charismatic films of all time.
Few films are as widely recognized and celebrated as the original “Lion King,” which was known for its wonderful combination of stunning animation and creative, heartfelt story that audiences of all ages could marvel at. I’ll always remember being a young child and watching the 1994 Disney classic on VHS, choking up when Mufasa was fatally pushed off a cliff and into a stampede of wildebeests as his son Simba watched in terror.
Returning over two years since the premiere of its first season, HBO’s “Big Little Lies” continued on its own without any source material for season two and delivered a set of episodes that not only felt necessary for the sake of the characters but generated a truly intriguing, worthwhile plot.
Not since Halloween of 2017 have we last visited the fictional town of Hawkins, Indiana. But after the painfully long wait, Netflix’s hit sci-fi series “Stranger Things” has returned in its most exciting and emotional season yet. To put things simply: the new season of “Stranger Things” is almost absolutely perfect.
Every summer in Scandinavia, Europeans celebrate the summer solstice with an array of festive activities, such as traditional dancing, gourmet cooking, and lots of drinking. Extravagant clothes are worn, music is played, and sometimes pagan rituals are practiced during the longest day of the year, where sunlight is constant and the celebrations are continuous for weeks.
Last night and this evening the American public will hear from the 20 qualifying Democractic candidates in the first official debate of the 2020 presidential election. Ranging from past runner-ups to senior Senators to businesspeople and wellness gurus, this election cycle is sure to capture the anxious and uniquely changing state of politics in the land of the free.
Arts staff writer Dominic LeRose shares his take on how the final season of HBO's "Game of Thrones" should have been written.
Godzilla is an international cultural phenomenon that has inspired 35 total films. The gigantic ocean lizard is one of the most iconic creations in global entertainment history. Originally created by Japanese filmmakers in 1954, Hollywood has generated three total Godzilla films, the latest being “Godzilla: King of the Monsters.” It was a visually stunning display of CGI perfection, yet also a disastrous compilation of storytelling.
Widely raved about for its dark humor and story, Bill Hader’s HBO dark comedy series “Barry” wrapped up its second season Sunday night, leaving us with a rather disappointing episode but a promising cliffhanger.
Solutions by The State News
