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(11/06/17 12:00pm)
I was introduced to Slowdive by a close friend on a road trip more than two years ago. Zigzagging through the dry hills of southern California in May, I was intrigued by the group’s mellow psychedelia. My occasional listening and modest fanhood provided a gateway into the shoegaze genre, but my expectations for their live act were inadequate. Witnessing their profound showcase served to reinforce the value of seeing live music.
(11/06/17 12:00pm)
Over the weekend, various theaters on the Madison campus played a part in the sixth annual “Tales from Planet Earth” film festival, aiming to bring concepts, concerns and discussion on the environment to movies — perhaps one of the most publicly accessible mediums of the modern age. The festival covers various topics each year, shifting between interdependent themes of hope, justice, belief, futures and environmental soundings. More often than not, these films are about humanity’s connectivity with nature as opposed to its inherent capacity to fulfill these ideas.
(11/06/17 12:00pm)
The Forward Theater Company kicked off its ninth annual season with Lauren Gunderson’s “I and You” at the Overture Center’s Playhouse Theater. The play opened on Thursday, Nov. 2 and will run until Nov. 19 and, trust me, this is a show you do not want to miss.
(11/06/17 12:00pm)
“I’ve got a question,” said Amy Goldstein, veteran Washington Post staffer and the writer of “Janesville: An American Story.” She paused and pulled back her frizzy red hair, scanning the book festival audience from a pedestal at the Madison Public Library. Her book is about the closure of Janesville’s General Motors plant, but nobody in the crowd was wearing steel-toed boots or worn-in work pants; it was more of a sneaker and wool sweater affair — an assortment of Madison professionals. She asked her question anyway: “How many of you here have some connection to Janesville and the plant?” Dozens of hands proudly shot up.
(11/02/17 12:30pm)
When Mario was first introduced as Jumpman in 1981’s “Donkey Kong,” video games were in a much different landscape. Arcades were thriving, but the Video Game Crash of 1983 had nearly put an end to consoles. If not for a Japanese company that formerly dabbled with playing cards and other niche markets, it most certainly would have.
(11/02/17 1:00pm)
Last year, “Stranger Things” was the unexpected frontrunner of the entire TV industry. Relying mostly on word-of-mouth and Netflix’s algorithm, it catapulted into fame without much of a marketing push, which is a true testament to just how good it was. It also meant the showrunners, the Duffer Brothers, had a mountain of expectations to meet the second time around. Along with everyone else in the world, I was a huge fan of the first season, so when I sat down to binge the second season this weekend, I couldn’t help but have this feeling of dread. Though not without its flaws, “Stranger Things 2” is magnificent.
(11/02/17 12:00pm)
“Words and pictures are yin and yang. Married, they produce a progeny more interesting than either parent.” ? Dr. Seuss
(10/31/17 4:02pm)
For the moment, we see some connection between the beat and body. How easily it becomes repetitive to know where music will transition for quick appraisal. In small fragments, the influence of culture lies somewhere between knowing and claiming everything taken. For years, the rotation doesn’t fall far from expectation, but instead separates hip-hop and rap music and its quick assimilation into white mainstream media. I see this in the audience. A 7,000-person crowd eagerly awaits one of the most prominent media figures in music today. American record producer and record label executive DJ Khaled plays centerstage at the Kohl Center.
(10/30/17 3:21pm)
I and You: Playhouse at the Overture Center (11/2 – 11/19)
(10/30/17 11:00am)
Music
(10/30/17 1:00pm)
Last week I finally declared an English major. After two years of being undecided and testing out different degrees, I chose one that today many regard as useless. The first thing people ask me is “what are you going to do with that?”, and my answer is always the same: I have no idea.
(10/27/17 5:47pm)
Another year in music comes to a close, and so the nominations for “Music’s Biggest Night” are due to be released on Nov. 28. With music being such a large industry, there will undoubtedly be snubs and a couple of surprise appearances. At the same time, the Grammys are infamous for gravitating towards more commercially successful albums, despite those album's lukewarm critical reception. Nevertheless, based on albums by artists familiar to the Grammys, others that received critical adoration and records that sold well, there are a few artists who flew under the mainstream who will find their music on the ballot in a few weeks.
(10/27/17 3:34pm)
Cults, a two-piece duo made up of film school dropouts Madeline Follin and Brian Oblivion, definitely have a cult following, as made obvious by Wednesday’s concert at High Noon Saloon. The energetically retro duo has recently released a new album titled Offering, one tinged with ‘80s new-wave influence and upbeat dream-pop beats. This trance-like atmosphere accompanied by Follin’s piercing voice made for a show to dance to — as any performance by a group with such a dedicated fandom would be.
(10/27/17 11:00am)
Excited crowds thronged the elegant, glassy lobby of the Overture Center before David Sedaris, well known humorist, author and comedian, graced the stage with his two-hour solo performance on Wednesday.
(10/26/17 12:00pm)
Speedy Ortiz frontwoman Sadie Dupuis effused flower power on center stage Tuesday night. She wore a floral print top, a skirt and a flower pin in her hair, distancing her look from the dreary Madison weather. Her bright blue, bejeweled guitar stood out as it was fretted by Dupuis’s highlighter-orange and yellow nails. To her left, the black-and-blue-haired bassist wore black clothes and strummed with black nails, providing a stark contrast to the lead vocalist. A second guitarist and a drummer who provided backing vocals rounded out the indie quartet.
(10/26/17 11:00am)
“Broad City” has done some really revolutionary things since its premiere in 2014. They’ve represented female sexuality in a bold and unapologetic way — they show vibrators on screen in a really normalizing way, rather than for shock value. This season, they’ve committed to bleeping Trump’s name out. “We just didn't want to share airtime. He's got enough and we also don't want to hear the word,” Ilana Glazer, co-creator and lead, explained over the summer on a press tour. They’ve also touched on topics such as depression, anxiety, sexual harassment and sexuality. But the most revolutionary representation, to me, is the way they depict Ilana and Lincoln’s non-monogamous relationship and break-up. It’s such a realistic depiction of modern dating, through all of its complications.
(10/23/17 11:00am)
The Children’s Theater of Madison kicked off its season with the adorably entertaining “Madagascar – A Musical Adventure,” based on DreamWorks' animated motion picture. The show just finished its run at the Overture Center’s Playhouse theater on Sunday, Oct. 22.
(10/23/17 11:00am)
It’s been almost four years since Annie Clark, better known by her stage name St. Vincent, released her self-titled album. A critical darling, St. Vincent propelled her into national prominence; numerous publications listed it as one of the best albums of the year and gave St. Vincent her highest sales figures yet. With her fifth studio album, MASSEDUCTION, St. Vincent takes another bold step into her electropop psyche.
(10/23/17 11:00am)
Piano Concerto always makes a scene. The orchestra and the pianist both give all of what they have to each other in the arena — they cooperate, speak and challenge each other. The audience can take advantage of getting the best of the two protagonists that own equal partnership between each other, enjoying the exciting feast of the two hard players in the game.
(10/23/17 11:00am)
Trap music begins between zones and moves cross-country. After releasing two solo projects earlier this year, Future and Young Thug finally comes together on one project like a team line-up and brings the music industry back down south. SUPER SLIMEY debuted this past weekend from Atlanta rappers Future and Young Thug. Survival-like adaptation takes us between Codeine syrup, Percocet conversation and weekly exchange. The newly-released mixtape captures Atlanta’s continued legacy and the trivial parts that create the greatest resilience from the studio to the streets. Often overlooked, a quickly-paced mixtape runs from beginning to end on two separate missions, maintaining momentum like pythons and attacking multiple times.
