Skip to Content, Navigation, or Footer.
The Daily Cardinal Est. 1892
Friday, April 25, 2025

Arts

art-kingandi.jpg
ARTS

Say goodbye to ‘The King and I’: ill-written relic should be left in the past

Rodgers and Hammerstein’s “The King and I” might take the cake when it comes to virtually fossilized, ethnocentric, and downright offensive pieces of American theatre. Maybe its “white savior” narrative and hyperbolic representation of Thai culture were considered all fine and dandy when this show debuted in 1951. But in our wanting-to-be-woke society of today, there was no justifiable reason for this show’s revival tour and subsequent stent at the Overture Center from Feb. 26 to March 3.  


arts-tdthree2-rollingstone.jpg
ARTS

‘True Detective’ season three unoriginal, falls flat

Sometimes a TV series just doesn’t know when to end. The first season of HBO’s “True Detective” from 2014 redefined crime storytelling for the ages to come. It was dark, gritty and rooted in the questioning of the nature of humanity. Each episode was more gripping and intriguing than the next. The third season starring Mahershala Ali looked promising, advertised in a fashion that channeled the nature of the first season, yet revealed to us that instead of trying to revive the glory of the first season, it was better for the show to have ended after one season and leave it at that. 


arts-rbsixsiege2.jpg
ARTS

Amidst challenges within the industry, ‘Siege’ a solid contribution

Well, I had a piece planned on “Rainbow Six: Siege” for this week — a little thinkpiece about the whole ‘games as a service’ trend and how “Siege” has managed to both stumble into that model and sidestep the worst parts of it. But after the Activision-Blizzard layoffs, it just feels disingenuous to talk about anything other than the weird, terrible ways this industry is run and the ways it could be better. 


arts-LCDelectricladysess1
ARTS

'Electric Lady Sessions' is intelligent, refreshing live album

At the time of the Electric Lady Studios’ founding, it was the only artist-owned studio in existence, built by and for the one and only Jimi Hendrix. He only got to use the space for a few weeks before his untimely passing. Dance-punk act LCD Soundsystem has added their name to the legendary studio’s list of inhabitants. On Feb. 8 of this year, Electric Lady Sessions was released. A concise and groovy collection of their own hits and three covers, LCD Soundsystem’s latest release is a rewarding live album.


arts-hippiesabotage1.jpg
ARTS

Aglow and alive, Hippie Sabotage electrifies Madison

Hippie Sabotage, the EDM duo consisting of brothers Kevin and Jeff Saurer, infected the Sylvee last Wednesday with one killer jam sesh. As someone who doesn’t frequently indulge in EDM and rave culture, this concert was a really interesting step into that world. 


arts_rainbowkittensurprise.jpg
ARTS

Rainbow Kitten Surprise serves up mellow Monday soul food at the Sylvee

As I rushed to the Rainbow Kitten Surprise concert at the Sylvee this past Monday night, I had high expectations after their gig at Majestic Theatre last year, which was full of head-bang worthy rock-inspired renditions of their classics and an intimate feel despite Sam Melo’s overwhelmingly energetic stage presence. However, this show was quite different from the last time I saw RKS — mellow undertones dominated, and I felt as though I was digging into a giant, steaming bowl of soul food during their set. 


arts-Thank_U,_Next cover.jpg
ARTS

‘thank u, next’ is spectacularly honest, celebration of self-love

Ariana Grande ended 2018 as the most relevant pop star and for good reason. Grande released her fifth studio album, thank u, next, just over five months after the well-received Sweetener. She experienced astounding commercial success, all while crafting her unique brand and reviving pop through heavy EDM, R&B, and hip-hop influence. Following an aggressive year of personal relationships in the spotlight, Grande hinted she’d been healing in the studio. She released three singles — one, of course, the infamous title track “thank u, next” and its iconic accompanying video — in anticipation of the album. 


Powered by SNworks Solutions by The State News
All Content © 2025 The Daily Cardinal