With the first explosive trailer for Marvel’s “Avengers: Infinity War” having finally been released, the world is buzzing with excitement, rumors and predictions about Earth’s Mightiest Heroes assembling to face the long-awaited Thanos and his Infinity Gauntlet.
The relief comes early in the morning. After the smoke has settled and both sides have risen their flags.
While sporting flannels and hoodies, the hip musicians of Whitney transported audiences away from the thick air of the Majestic Theatre.
2017 has been an incredible year for video games; Nintendo released the Switch with success, Sony gave us a slew of exclusive Japanese titles like “Persona 5” and Microsoft premiered the most powerful console to date with the Xbox One X. “PlayerUnknown’s Battlegrounds” (“PUBG”) took the digital distribution platform Steam by storm, and starting next month, it will do the same to Xbox Live. Whether you own a console or gaming PC, there were generation-defining experiences to be had.
If you’ve been around me in the past year, I’m sure I’ve brought up “Search Party” at some point during our conversations. It was my favorite show of last year, and arguably one of my favorite shows of all time. Season one was full of mystery and twists with a cast that seemed to be made for one another, and season two is keeping the momentum going.
With the new “Marvel: Infinity War” trailer out this week, new seasons of superhero shows like “Agents of Shield,” “Runaways” and new episodes of “The Gifted,” I’m just trying to hide somewhere dark and deep where the Marvel Universe hasn’t pried its grubby little fingers yet. It’s not that I dislike Marvel; I just like to breathe the fresh air on occasion, so, let’s lead off with a suggestion from an entirely different angle.
Upon leaving the theater after viewing “Justice League,” it can be misleading to judge the film based on excitement for its characters or the introduction of humor into the DC universe. However, DC’s first attempt at a large-scale team-up movie fails to bounce back from “Batman v Superman: Dawn of Justice,” the universally panned previous installment in the franchise.
As the year approaches its finale, we’re thrown into a blitzkrieg of artists releasing highly anticipated — and sometimes unexpected — albums. Björk, Fabolous & Jadakiss and a slew of holiday-themed artists all released projects this weekend.
“Star Wars: Battlefront II” is one of the most interesting unintentional tragedies ever put forth in the games medium.
The premature cold breezing through Madison seemed to subside as hip hop artist Noname graced the stage with her warm spunk at the Majestic Theatre on Monday.
In preparing for Greta Gerwig’s directorial debut in “Lady Bird,” I hads a sense of apprehension about the experience I presumed I would have. As industry costs increase and fall to the consumer, it becomes a greater gamble of financial precarity when $15 is the entry fee for the chance of an entertaining film and an enjoyable evening. Naturally, trailers yield the byway method of circumventing our concerns about this very problem, yet often find themselves under heavy critique for their own representation of the film they aim to market. With “Lady Bird,” I found an unfortunate parallel to this issue. However, it seemed to work astoundingly, and in a manner I hadn’t truly expected.
With reputation, Taylor Swift makes a transformation — one that many huge stars have attempted — into a darker, more serious version of herself. Bruno Mars did it with Unorthodox Jukebox, Michael Jackson scowled on the cover of Bad and Beyonce embraced her sexuality like never before on her self-titled album. Swift, however, had slightly different circumstances
Louis the Child brought energy and positivity to their set at the Orpheum Friday night, with the end result being four hours of exceptional EDM. The first of three opening acts was Party Pupils, a Chicago-based house duo made up of singer Max and producer RyanEXOE.
Sometimes it can feel like a storm, gripping something between the stars and sky. In this place, we get lost like Monday morning doubts, shape shift again and never really lose sight of where we see this going.
With a Wisconsin accent and growing bread for No-Shave-November, Charlie Berens walked up to the fifth floor of Vilas Hall after sleeping on a plane. The J-School alum and former Daily Cardinal arts writer was in town for the Michigan game and spent the afternoon chatting with current Badgers. In his time away from Madison, Berens moved around a lot, taking risks and networking as a TV-broadcaster in Dallas before transitioning into satire and comedy.
Chicago-based rapper Noname — despite her stage name — clearly made a name for herself in Madison, because she will return to a local stage Monday for the third time within a year.
Last Friday, Amazon released three new shows as a part of their biannual pilot season program. The way the pilot season works is they release a bunch of pilot episodes for new shows, after which the viewers are able to rate and review them. The ones with the best ratings get picked up for a series order. This winter, they released three new pilots — “I Love You More,” “Sea Oak” and “The Climb” — showing a push for female representation both on and off the camera.
Petit Biscuit released his debut album, Presence, this past Friday. Though he is most known for his song “Sunset Lover,” which boasts over 226 million plays on Spotify, Petit Biscuit displays an advanced sound on his new album, which features 14 tracks — almost entirely new releases. With collaborations from fellow producers Lido, SONIA and Bipolar Sunshine, Presence offers a creative mix of electronic melodies from all the featured artists.
“Call of Duty: WWII” is a return to the series’ historic setting and “boots on the ground” gameplay. In some ways it succeeds, but the final product is a jack of all trades rather than a quality experience throughout.
This week, let's focus on outcasts. Everybody loves a good comeback story, rooting for the underdogs, David over Goliath, etc.
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Solutions by The State News
