Albums - The Daily Cardinal

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Record Routine: Shedding his jovial skin, Drake's sharp tone highlights surprise album

By Brandon Danial | Feb. 15, 2015

The hip-hop scene has been on the rise as of late, with new tracks dropping left and right from some of the genre’s top artists. That being the case, it’d only make sense that Drake got in on the action as well, releasing his pseudo-mixtape If You’re Reading This It’s Too Late last Thursday. Complete with a price tag and over an hour of content, IYRTITL feels like a traditional release, but with Drake having already picked out the name for his next full feature album, Views From The 6, it’s safe to say this is just a prequel to something bigger.

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Record Routine: Björk’s legacy of creating her own unique sound continues in new album

By Paul Blazevich | Jan. 28, 2015

Anthony Sanders and Hailing from Iceland, Björk is the original “melancholy hipster singing chick,” a group of artists also inhabited by such stars as Lana Del Rey, FKA Twigs, and SZA. Her most recent release, Vulnicura, takes a page out of the book of modern pop music by arriving on the doorstep of many fans without much warning.

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Caféïne brings New Love on fifth record

By Michael Street | Jan. 27, 2015

With little experience in the punk music genre I wasn't sure what to expect from Caféïne's upcoming album, New Love. After listening through the 11-track album I was pleasantly surprised. A playful, energetic and hopeful tone is established during the first track, “New Love,” and the album rarely deviates from this likable formula. Although the melodies are fun and grab your attention, I wish there were more tracks like “Black Swans” to provide something with a different tone from the rest of the album. If the fast-paced “Love is a Riot” ever has a music video it could only be visualized as items being smashed in slow motion. It’s a good time.

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Record Routine: Dream Police miss the beat on debut album

By Edgar Sanchez | Nov. 13, 2014

Dream Police recently released their first album Hypnotized, and it is a physcadelic trip full of electronic riffs and strong bass, which propels this album into a place all its own. With that being said, it unfortunately lacks an identity due to the album’s overambitious attempts to cover too many different sounds within an eight track album.

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Record Routine: Minus the Bear lose the love on new album

By Molly Reppen and Trevor Krause | Oct. 6, 2014

Minus the Bear burst onto the scene in 2001, with the release of This Is What I Know About Being Gigantic, an electrifying EP featuring seven quirkily titled songs with lyrics about beer, women and little else. Since then, the band has evolved and matured, releasing five full-length LPs across their 13-year career, along with an assortment of EPs, bonus tracks and B-sides. It is from those bonus tracks and B-sides that Lost Loves came to be, an “odds and ends” compilation containing unreleased material from the band’s past three full-length albums.

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Record Routine: Fear of Men hew too close to one sound on 'Loom'

By Rose Lundy | Apr. 24, 2014

Fear of Men’s debut full-length album, Loom, proves there can be too much of a good thing. After establishing an inventive and unique sound, it becomes frustrating to listen to the British group continually repeat themselves on their 11-track record.

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Record Routine: New Aimee Mann and Ted Leo collaboration fails to impress

By Samuel Johnson | Apr. 13, 2014

What do you get when you combine a modest indie pop star and a pop-less alternative punk star? Aimee Mann and Ted Leo’s The Both comes to mind. The two music veterans joined forces in the last couple of years to find the right harmony between their starkly different voices and make an album reflecting the results. The self-titled debut album combines the gritty, distorted punk sound Leo is all too familiar with, and the niche feel-good acoustic pop sound Mann has grown to master. While some of the songs blend into one another, the album as a whole sounds refined, polished and what one would expect from two people who have been writing music their whole lives. However, their age might be catching up with them, as this album offers nothing new. It’s a safe, easy-sounding record that differs from their individual work, which embodied traits of painstaking effort and all-out emotional commitment.

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Record Routine: Future Islands’ ‘Singles’ finally delivers

By Allison Garcia | Mar. 26, 2014

Future Islands have packed their bags to leave their past home of indie rock limbo and are getting ready to move to the top with their brand new album Singles. Riddled with songs of lively themes and foot tapping beats, this captivating assortment of tunes has made the sound of Future Islands well worth listening.

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Record Routine: Vertical Scratchers' first effort offers unique sound, lacks cohesion

By Brandon Danial | Feb. 25, 2014

Vertical Scratchers’ debut Daughters of Everything delivers an album packed full of energy, soothing vocals and enough garage-band aura to get listeners pumped up for each and every song.

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GRiZ’s LP is the shiz

By Jordan McEvoy | Oct. 24, 2013

Exhausted from studying the past week, I wearily plugged my headphones into my computer to listen to Rebel Era—GRiZ’s newest album. I like GRiZ so I was excited to listen to it, but nothing could have prepared me for what I was about to hear. My exhaustion dissipated. My feet felt suddenly disconnected from my body and started to move on their own accord. My mouth waivered into a grin that likely unsettled those sitting near me. Even better production than his last album, Mad Liberation, Rebel Era surges forward as the young producer attains a comfort zone with his signature sound—one that has come to revolutionize electronic music. Incorporating glitch bass, soul, funk and tight grooves, GRiZ’s style is a breath of fresh air from the music dominating the electronic scene, rampant with predictable drops and a near universal sound.

COLUMNS

The lost art of listening to full albums

By By Michael Penn II | Nov. 8, 2012

I have 40.5 days, 95.22 gigabytes, of music in my iTunes library—and that’s only what iTunes has accounted for.

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Hutchinson 'Moving Up' to Majestic Stage

By By Jenna Bushnell | Apr. 23, 2012

Eric Hutchinson’s knack for connecting with fans may transform his show tonight at the Majestic Theatre from just a fun, upbeat singer-songwriter performance to a counseling session of sorts.

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Cohen has a new album, old idea

By By Sean Reichard | Feb. 1, 2012

Quite paradoxically, Leonard Cohen is an ageless performer. With a voice that has run from slight weariness to a decrepit husk, he has followed his own path creatively. He was a poet and novelist before he turned singer-songwriter, and his songs are peppered with literary motifs and turns of phrase.

COLUMNS

Hassle-free albums worth the money

By By Jeremy Gartzke | Jan. 30, 2012

The SOPA and PIPA controversies have been on every music-lover's mind, and it was a relief to many when the legislation was dropped. However, it does leave us with questions that will inevitably effect us in the future, as the issues that SOPA and PIPA attempted to address are far from being byone woes.