Fear of Men’s debut full-length album, Loom, proves there can be too much of a good thing. After establishing an inventive and unique sound, it becomes frustrating to listen to the British group continually repeat themselves on their 11-track record.
What do you get when you combine a modest indie pop star and a pop-less alternative punk star? Aimee Mann and Ted Leo’s The Both comes to mind. The two music veterans joined forces in the last couple of years to find the right harmony between their starkly different voices and make an album reflecting the results. The self-titled debut album combines the gritty, distorted punk sound Leo is all too familiar with, and the niche feel-good acoustic pop sound Mann has grown to master. While some of the songs blend into one another, the album as a whole sounds refined, polished and what one would expect from two people who have been writing music their whole lives. However, their age might be catching up with them, as this album offers nothing new. It’s a safe, easy-sounding record that differs from their individual work, which embodied traits of painstaking effort and all-out emotional commitment.
Future Islands have packed their bags to leave their past home of indie rock limbo and are getting ready to move to the top with their brand new album Singles. Riddled with songs of lively themes and foot tapping beats, this captivating assortment of tunes has made the sound of Future Islands well worth listening.
Vertical Scratchers’ debut Daughters of Everything delivers an album packed full of energy, soothing vocals and enough garage-band aura to get listeners pumped up for each and every song.
Exhausted from studying the past week, I wearily plugged my headphones into my computer to listen to Rebel Era—GRiZ’s newest album. I like GRiZ so I was excited to listen to it, but nothing could have prepared me for what I was about to hear. My exhaustion dissipated. My feet felt suddenly disconnected from my body and started to move on their own accord. My mouth waivered into a grin that likely unsettled those sitting near me. Even better production than his last album, Mad Liberation, Rebel Era surges forward as the young producer attains a comfort zone with his signature sound—one that has come to revolutionize electronic music. Incorporating glitch bass, soul, funk and tight grooves, GRiZ’s style is a breath of fresh air from the music dominating the electronic scene, rampant with predictable drops and a near universal sound.
I have 40.5 days, 95.22 gigabytes, of music in my iTunes library—and that’s only what iTunes has accounted for.
Eric Hutchinson’s knack for connecting with fans may transform his show tonight at the Majestic Theatre from just a fun, upbeat singer-songwriter performance to a counseling session of sorts.
Quite paradoxically, Leonard Cohen is an ageless performer. With a voice that has run from slight weariness to a decrepit husk, he has followed his own path creatively. He was a poet and novelist before he turned singer-songwriter, and his songs are peppered with literary motifs and turns of phrase.
The SOPA and PIPA controversies have been on every music-lover's mind, and it was a relief to many when the legislation was dropped. However, it does leave us with questions that will inevitably effect us in the future, as the issues that SOPA and PIPA attempted to address are far from being byone woes.
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Solutions by The State News
